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\u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601<\/a><\/p>\n\n\n\n La vod de la semaine. \u00ab\u2009Mix up ou m\u00e9li-m\u00e9lo\u2009\u00bb de Fran\u00e7oise Romand D\u00e9couverte d\u2019une cin\u00e9aste m\u00e9connue, Fran\u00e7oise Romand, dont le premier film, plein de fantaisie et d\u2019inventivit\u00e9, retrace de fa\u00e7on synth\u00e9tique l\u2019exp\u00e9rience de deux Anglaises \u00e9chang\u00e9es \u00e0 la naissance par erreur. Une p\u00e9pite concise et farfelue \u00e0 la fois. <\/p>\n\n\n\n Publi\u00e9 le Vendredi 19 mai 2023 Vincent Ostria \u00ab\u2009MIX UP OU M\u00c9LI-M\u00c9LO\u2009\u00bb DE FRAN\u00c7OISE ROMAND. FRANCE, 1985,\u00a01 H 00\u00a0<\/p>\n\n\n\n A voir sur\u00a0universcine.com<\/a>\u00a0<\/p>\n\n\n\n Y a-t-il des cin\u00e9astes injustement m\u00e9connus? C\u2019est certain. On peut citer le cas de Marcel Hanoun, stylistiquement proche de Robert Bresson, qui n\u2019obtint jamais la reconnaissance qu\u2019il m\u00e9ritait. Mais il en est de plus obscurs encore, dont le statut marginal reste surprenant, eu \u00e9gard \u00e0 la qualit\u00e9 et l\u2019originalit\u00e9 de leur travail. Prenons le cas de Fran\u00e7oise Romand, qui tourne depuis 1977, et dont le premier long-m\u00e9trage, \u00ab\u2009Mix-up ou m\u00e9li-m\u00e9lo\u2009\u00bb, fut produit par la t\u00e9l\u00e9vision fran\u00e7aise en 1985. Sur le papier, il s\u2019agit d\u2019un documentaire\u2009: il retrace l\u2019histoire de Peggy et Valerie, deux Anglaises du m\u00eame \u00e2ge qui furent \u00e9chang\u00e9es par erreur \u00e0 la naissance et ne d\u00e9couvrirent la v\u00e9rit\u00e9 que vingt ans plus tard. On peut imaginer qu\u2019\u00c9tienne Chatiliez s\u2019est inspir\u00e9 de cette histoire vraie pour sa farcesque \u00ab\u2009Vie est un long fleuve tranquille\u2009\u00bb. Grosso modo, la cin\u00e9aste met en sc\u00e8ne l\u2019histoire in situ avec le concours des femmes \u00e9chang\u00e9es et de leurs familles qui, on l\u2019apprend, se connaissaient. Ces personnes t\u00e9moignent face cam\u00e9ra et jouent des sayn\u00e8tes. Fran\u00e7oise Romand les filme de fa\u00e7on synth\u00e9tique, ludique, avec un sens du cadre tr\u00e8s rigoureux. D\u2019une certaine mani\u00e8re, \u00ab\u2009Mix-up\u2009\u00bb est un anti-documentaire car on ne laisse jamais tourner la cam\u00e9ra sans intervenir (m\u00e9thode Wiseman). Au contraire, les personnages rejouent leur vie, y compris des \u00e9pisodes de leur jeunesse ; d\u2019autres fois des figurants incarnent leurs r\u00f4les lorsqu\u2019ils \u00e9taient enfants. \u00c0 ce travail synth\u00e9tique tourn\u00e9 en 16 mm s\u2019adjoignent des bribes de films de famille en 8 mm. Il y a dans cette \u0153uvre un caract\u00e8re net, brut et graphique, dont la folie douce fait le charme irr\u00e9sistible. En prenant le contre-pied des clich\u00e9s sur le \u00ab\u2009cin\u00e9ma du r\u00e9el\u2009\u00bb , en \u00e9purant la r\u00e9alit\u00e9 \u00e0 sa guise et en la r\u00e9interpr\u00e9tant, Fran\u00e7oise Romand invente un nouveau style de cin\u00e9ma o\u00f9 la vraie vie devient \u00e0 son tour une fiction, qui permet de sortir enfin de la sacro-sainte routine du documentaire alternant interviews et s\u00e9quences film\u00e9es sur le vif. Nous reviendrons sur cette r\u00e9alisatrice trop ignor\u00e9e, trop discr\u00e8te.<\/p>\n\n\n\n Vincent Ostria, mai 2023<\/p>\n\n\n Jonathan Rosenbaum, critique du Chicago Reader<\/strong><\/p>\n\n\n\n Top Ten 1988 revu en 2022<\/a><\/p>\n\n\n\n Silvia Nugara, AH ! C’EST MOI!? LE CIN\u00c9MA-MIROIR DE FRAN\u00c7OISE ROMAND, filmidee.it , 2 mai 2016<\/a><\/p>\n\n\n\n Her masterpiece poses a genuine challenge by making art and life indistinguishable.<\/p>\nJonathan Rosenbaum, Sight & Sound, volume 20 issue 10, octobre 2010<\/a><\/cite><\/blockquote>\n\n\n\n Le documentaire n’aurait pas \u00e9t\u00e9 le m\u00eame si je l’avais tourn\u00e9e aujourd’hui.<\/p>\nFran\u00e7oise Romand, Le Midi Libre, 30 septembre 1997<\/cite><\/blockquote>\n\n\n Curieuse affaire, curieux documentaire, tr\u00e8s inventif, tr\u00e8s malicieux, qui n’h\u00e9site pas \u00e0 jouer sur le registre de l’humour et de l’histoire \u00e0 dormir debout.<\/p>\nJean-Philippe Tess\u00e9, Les cahiers du cin\u00e9ma, d\u00e9cembre 2006<\/cite><\/blockquote>\n\n\n One of the most remarkable and innovative documentaries ever made [\u2026].<\/p>\nJonathan Rosenbaum, Chicago Reader, March 3, 1995<\/cite><\/blockquote>\n\n\n Jonathan Rosembaum, Chicago Reader, Top 10 – The Best Movies of 1988<\/p>\n\n\n\n Les fiches du cin\u00e9ma – Fr\u00e9d\u00e9ric ARON<\/a><\/p>\n\n\n\n … \u00ab\u00a0Car c\u2019est un v\u00e9ritable bijou. Tout au long d\u2019un r\u00e9cit passionnant, ce documentaire d\u2019une heure invente une forme unique, cisel\u00e9e tant par la libert\u00e9 et l\u2019inventivit\u00e9 d\u2019une cin\u00e9aste inspir\u00e9e que par l\u2019aventure humaine que constitue le film.\u00a0\u00bb<\/em><\/p>\n\n\n\n Sight & Sound – Jonathan ROSENBAUM <\/a>(english) <\/p>\n\n\n\n Culturopoing – Marion ODDON<\/a><\/p>\n\n\n\n New York Times – Vincent CANBY<\/a><\/p>\n\n\n\n \u00ab\u00a0A deliciously oddball movie… sounds like the synopsis for a hilarious if cruel comedy… It’s the work of a filmmaker of original vision…\u00a0\u00bb<\/em><\/p>\n\n\n\n Los Angeles Times – Michael WILMINGTON<\/a><\/p>\n\n\n\n …\u00a0\u00bbA queer, distanced, high-tech style, with carefully composed and balanced frames, symbolic settings and many obviously scripted and staged scenes. There’s a pristine, farcical quality about the style, but its very overcomposed rigor ironically suggests the absurdity of a world where havoc can be wreaked by mere chance, where things simply can’t be controlled. Mix Up is as unique and interesting a documentary as you’re likely to see for quite a while.\u00a0\u00bb<\/em><\/p>\n\n\n\n Village Voice – David EDELSTEIN<\/a><\/p>\n\n\n\n \u00ab\u00a0…her intelligence and point of view – along with her youth and foolhardiness – is manifest in every frame.\u00a0\u00bb <\/em><\/p>\n\n\n\n Afterimage – B\u00e9r\u00e9nice REYNAUD<\/a><\/p>\n\n\n\n https:\/\/mubi.com\/lists\/jonathan-rosenbaums-1000-essential-films<\/a> <\/p>\n\n\n\n https:\/\/mubi.com\/films\/mix-up<\/a><\/p>\n\n\n\n San Francisco Examiner – Micha\u00ebl SRAGOW<\/a><\/p>\n\n\n\n Chicago Reader – Jonathan ROSENBAUM<\/a> (1995)<\/p>\n\n\n\n Tourn\u00e9 en 1985, Mix-Up n’a pas cess\u00e9 de suscit\u00e9 l’int\u00e9r\u00eat du public et des critiques. Vous le verrez au travers de cette revue de presse qui commence d\u00e8s 1986 ! Jonathan Rosenbaum : Dix meilleurs films dirig\u00e9s par une femme septembre 2023 \u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601 La vod de la semaine. \u00ab\u2009Mix up ou … Continuer la lecture de « Revue de presse – Mix-Up (1985) »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[12],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","category-revue-de-presse","tag-mix-up"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":2,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions\/731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media\/511"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/francoiseromand.com\/wp-content\/uploads\/2022\/09\/2024-12-20-Lhumanite-la-VOD-de-la-semaine-Mix-Up-590x1024.png\")
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![Los Angeles Times – Michael WILMINGTON<\/a><\/p>\n\n\n\n…\u00a0\u00bbA queer, distanced, high-tech style, with carefully composed and balanced frames, symbolic settings and many obviously scripted and staged scenes. There’s a pristine, farcical quality about the style, but its very overcomposed rigor ironically suggests the absurdity of a world where havoc can be wreaked by mere chance, where things simply can’t be controlled. Mix Up is as unique and interesting a documentary as you’re likely to see for quite a while.\u00a0\u00bb<\/em><\/p>\n\n\n\n\n\n\n\nVillage Voice – David EDELSTEIN<\/a><\/p>\n\n\n\n\u00ab\u00a0…her intelligence and point of view – along with her youth and foolhardiness – is manifest in every frame.\u00a0\u00bb <\/em><\/p>\n\n\n\n\n\n\n\nAfterimage – B\u00e9r\u00e9nice REYNAUD<\/a><\/p>\n\n\n\n\n\n\n\nhttps:\/\/mubi.com\/lists\/jonathan-rosenbaums-1000-essential-films<\/a> <\/p>\n\n\n\n\n\n\n\nhttps:\/\/mubi.com\/films\/mix-up<\/a><\/p>\n\n\n\n\n\n\n\nSan Francisco Examiner – Micha\u00ebl SRAGOW<\/a><\/p>\n\n\n\n\n\n\n\nChicago Reader – Jonathan ROSENBAUM<\/a> (1995)<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"Tourn\u00e9 en 1985, Mix-Up n’a pas cess\u00e9 de suscit\u00e9 l’int\u00e9r\u00eat du public et des critiques. Vous le verrez au travers de cette revue de presse qui commence d\u00e8s 1986 ! Jonathan Rosenbaum : Dix meilleurs films dirig\u00e9s par une femme septembre 2023 \u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601 La vod de la semaine. \u00ab\u2009Mix up ou … Continuer la lecture de « Revue de presse – Mix-Up (1985) »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[12],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","category-revue-de-presse","tag-mix-up"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":2,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions\/731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media\/511"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/www.romand.org\/old\/press\/Wilmington.jpg\"){kind=link}
![Village Voice – David EDELSTEIN<\/a><\/p>\n\n\n\n\u00ab\u00a0…her intelligence and point of view – along with her youth and foolhardiness – is manifest in every frame.\u00a0\u00bb <\/em><\/p>\n\n\n\n\n\n\n\nAfterimage – B\u00e9r\u00e9nice REYNAUD<\/a><\/p>\n\n\n\n\n\n\n\nhttps:\/\/mubi.com\/lists\/jonathan-rosenbaums-1000-essential-films<\/a> <\/p>\n\n\n\n\n\n\n\nhttps:\/\/mubi.com\/films\/mix-up<\/a><\/p>\n\n\n\n\n\n\n\nSan Francisco Examiner – Micha\u00ebl SRAGOW<\/a><\/p>\n\n\n\n\n\n\n\nChicago Reader – Jonathan ROSENBAUM<\/a> (1995)<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"Tourn\u00e9 en 1985, Mix-Up n’a pas cess\u00e9 de suscit\u00e9 l’int\u00e9r\u00eat du public et des critiques. Vous le verrez au travers de cette revue de presse qui commence d\u00e8s 1986 ! Jonathan Rosenbaum : Dix meilleurs films dirig\u00e9s par une femme septembre 2023 \u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601 La vod de la semaine. \u00ab\u2009Mix up ou … Continuer la lecture de « Revue de presse – Mix-Up (1985) »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[12],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","category-revue-de-presse","tag-mix-up"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":2,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions\/731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media\/511"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/www.romand.org\/old\/press\/Edelstein.jpg\"){kind=link}
![Afterimage – B\u00e9r\u00e9nice REYNAUD<\/a><\/p>\n\n\n\n\n\n\n\nhttps:\/\/mubi.com\/lists\/jonathan-rosenbaums-1000-essential-films<\/a> <\/p>\n\n\n\n\n\n\n\nhttps:\/\/mubi.com\/films\/mix-up<\/a><\/p>\n\n\n\n\n\n\n\nSan Francisco Examiner – Micha\u00ebl SRAGOW<\/a><\/p>\n\n\n\n\n\n\n\nChicago Reader – Jonathan ROSENBAUM<\/a> (1995)<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"Tourn\u00e9 en 1985, Mix-Up n’a pas cess\u00e9 de suscit\u00e9 l’int\u00e9r\u00eat du public et des critiques. Vous le verrez au travers de cette revue de presse qui commence d\u00e8s 1986 ! Jonathan Rosenbaum : Dix meilleurs films dirig\u00e9s par une femme septembre 2023 \u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601 La vod de la semaine. \u00ab\u2009Mix up ou … Continuer la lecture de « Revue de presse – Mix-Up (1985) »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[12],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","category-revue-de-presse","tag-mix-up"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":2,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions\/731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media\/511"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/www.romand.org\/old\/press\/BReynaud2.jpg\"){kind=link}
![San Francisco Examiner – Micha\u00ebl SRAGOW<\/a><\/p>\n\n\n\n\n\n\n\nChicago Reader – Jonathan ROSENBAUM<\/a> (1995)<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"Tourn\u00e9 en 1985, Mix-Up n’a pas cess\u00e9 de suscit\u00e9 l’int\u00e9r\u00eat du public et des critiques. Vous le verrez au travers de cette revue de presse qui commence d\u00e8s 1986 ! Jonathan Rosenbaum : Dix meilleurs films dirig\u00e9s par une femme septembre 2023 \u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601 La vod de la semaine. \u00ab\u2009Mix up ou … Continuer la lecture de « Revue de presse – Mix-Up (1985) »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[12],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","category-revue-de-presse","tag-mix-up"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":2,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions\/731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media\/511"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/www.romand.org\/old\/press\/SanFrancisco.jpg\"){kind=link}
![Chicago Reader – Jonathan ROSENBAUM<\/a> (1995)<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"Tourn\u00e9 en 1985, Mix-Up n’a pas cess\u00e9 de suscit\u00e9 l’int\u00e9r\u00eat du public et des critiques. Vous le verrez au travers de cette revue de presse qui commence d\u00e8s 1986 ! Jonathan Rosenbaum : Dix meilleurs films dirig\u00e9s par une femme septembre 2023 \u00e0 lire sur : https:\/\/www.humanite.fr\/culture-et-savoir\/la-vod-de-la-semaine\/la-vod-de-la-semaine-mix-up-ou-meli-melo-de-francoise-romand-795601 La vod de la semaine. \u00ab\u2009Mix up ou … Continuer la lecture de « Revue de presse – Mix-Up (1985) »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,6],"tags":[12],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","category-revue-de-presse","tag-mix-up"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":2,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/posts\/346\/revisions\/731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media\/511"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/www.romand.org\/old\/press\/MURosenbaum.jpg\"){kind=link}