{"id":338,"date":"2022-09-15T11:05:05","date_gmt":"2022-09-15T09:05:05","guid":{"rendered":"https:\/\/romand.com-ethique.fr\/?page_id=14"},"modified":"2022-09-15T11:05:05","modified_gmt":"2022-09-15T09:05:05","slug":"biographie","status":"publish","type":"page","link":"https:\/\/francoiseromand.com\/index.php\/biographie\/","title":{"rendered":"Biographie de Fran\u00e7oise Romand"},"content":{"rendered":"
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Fran\u00e7oise Romand 2022 – Cr\u00e9dits photo Matthieu Constance<\/figcaption><\/figure>\n<\/div>\n\n\n

Chronologie<\/h2>\n\n\n\n

En 1977<\/strong>, sortie de l\u2019IDHEC (FEMIS), The wellknown French school of cinema<\/em>, Fran\u00e7oise Romand r\u00e9alise un court-m\u00e9trage \u00ab\u00a0Rencontres\u2026\u00a0\u00bb puis elle travaille comme assistante de r\u00e9alisation et assistante monteuse jusqu\u2019en 1985. Elle sera form\u00e9e \u00e0 cette \u00e9cole du documentaire qui flirte avec humour et fac\u00e9tie avec la fiction. En 1985, son premier film \u00ab\u00a0Mix-Up ou M\u00e9li M\u00e9lo\u00a0\u00bb  (documentaire-fiction) entamera une carri\u00e8re en anglais et un succ\u00e8s critique aux USA. \u00ab\u00a0Appelez-moi Madame\u00a0\u00bb, confirme son style \u00e0 la fronti\u00e8re du documentaire et de la fiction, prix Golden Gate Award, ce qui la conduira \u00e0 enseigner le cin\u00e9ma \u00e0 Harvard (1999 \u2013 2000). <\/p>\n\n\n\n

En 1987<\/strong>, elle est laur\u00e9ate Villa M\u00e9dicis hors les murs aux USA. <\/p>\n\n\n\n

En 1995<\/strong>, le Film Center Art Institute (Mus\u00e9e de Chicago) organise une R\u00e9trospective de ses premiers films. <\/p>\n\n\n\n

En 1999-2000<\/strong>, au tournant du si\u00e8cle, elle enseigne le cin\u00e9ma \u00e0 l\u2019Universit\u00e9 de Harvard, USA, o\u00f9 en liaison avec son travail cin\u00e9matographique, elle explore les ramifications sur Internet, invente le premier webdoc \u00ab\u00a0IKitchenEye\u00a0\u00bb et organise des happenings sur la sc\u00e8ne underground parisienne avec ses \u00ab\u00a0Cin\u00e9-Romand\u00a0\u00bb dont elle \u00e9dite un DVD en 2009. <\/p>\n\n\n\n

Sa premi\u00e8re fiction, \u00ab\u00a0Pass\u00e9 Compos\u00e9,\u00a0\u00bb est pr\u00e9sent\u00e9e \u00e0 la Semaine de la Critique \u00e0 la Mostra de Venise<\/strong>.<\/p>\n\n\n\n

Son auto-fiction, \u00ab\u00a0Th\u00e8me Je\u00a0\u00bb , \u00e9voluera pendant 10 ans en diff\u00e9rentes versions jusqu\u2019\u00e0 la finale grav\u00e9e sur DVD en 2011. <\/p>\n\n\n\n

En 2019<\/strong> R\u00e9trospective \u00e0 Turin<\/p>\n\n\n\n

En 2020<\/strong>, la SCAM (Soci\u00e9t\u00e9 Civile de Auteurs Multim\u00e9dias), lui d\u00e9cerne le prix Charles Brabant pour l\u2019ensemble de son \u0153uvre. <\/p>\n\n\n\n

En 2021<\/strong>, Jonathan Rosenbaum a class\u00e9 \u00ab\u00a0Mix Up\u00a0\u00bb parmi les 10 meilleurs films de femmes de tous les temps.<\/a><\/p>\n\n\n\n

En 2022<\/strong>, un nouveau Cin\u00e9-Romand<\/strong> sera r\u00e9it\u00e9r\u00e9 \u00e0 Marseille le samedi 3 d\u00e9cembre<\/strong> \u00e0 la suite du Film Femme M\u00e9diterran\u00e9e o\u00f9 certains de ses films seront projet\u00e9s.<\/p>\n\n\n\n

Liste de ses films<\/h2>\n\n\n\n

\ud83d\udcc0 = sortie en DVD<\/p>\n\n\n\n

1977 – Rencontres\u2026<\/em> (\ud83d\udcc0 en bonus de Th\u00e8me-Je)<\/p>\n\n\n\n

1985  – Mix-Up<\/em> <\/strong>ou <\/strong>M\u00e9li-M\u00e9lo<\/em>  (\ud83d\udcc0)<\/p>\n\n\n\n

1986 – Appelez moi Madame<\/em> (\ud83d\udcc0),  Ap\u00e9ro Boulot Chateau<\/em><\/a><\/p>\n\n\n\n

1994 – Pass\u00e9-Compos\u00e9<\/em>, Les miettes du purgatoire<\/em><\/a><\/p>\n\n\n\n

1996 – Vice-Vertu et Vice-Versa<\/em><\/p>\n\n\n\n

1997 – <\/strong>D\u00e9rapage Contr\u00f4l\u00e9<\/em><\/a><\/p>\n\n\n\n

1999 – Croisi\u00e8re sur le Nil<\/em> (Webdoc)<\/p>\n\n\n\n

2002 –  Iconoclash<\/em><\/a><\/p>\n\n\n\n

2009 – Cin\u00e9-Romand<\/em> (\ud83d\udcc0)<\/p>\n\n\n\n

2010 – Gais Gay Games<\/em> (\ud83d\udcc0)<\/p>\n\n\n\n

2011 – Th\u00e8me Je<\/em> ou The camera I<\/em> (\ud83d\udcc0)<\/p>\n\n\n\n

2015 – Baiser d\u2019encre<\/em> (\ud83d\udcc0)<\/p>\n\n\n\n

2018 – Jira\u00efr<\/em><\/p>\n\n\n\n

2023 – Ma vie de merde<\/em><\/p>\n\n\n\n

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Chronology<\/h2>\n\n\n\n

1985  \u00ab\u00a0Mix-up ou Meli-Melo\u00a0\u00bb<\/strong> The favorite Film of 1988 from the choice of Jonathan Rosenbaum<\/a> \u00ab\u00a0Chicago Reader\u00a0\u00bb and one of his 10 best of the 80’s<\/a><\/p>\n\n\n\n

New York (opening the New Directors New Films at the Modern Art Museum with Lincoln Center), Los Angeles (AFI Film Festival), Toronto (Festival of Festivals) <\/p>\n\n\n\n

1986 \u00ab\u00a0Call Me Madame\u00a0\u00bb<\/strong><\/p>\n\n\n\n

New York (New Directors New Films), Los Angeles (AFI Film Festival), San Francisco (Golden Gate Award), Chicago, Toronto (Festival of Festivals), Vancouver<\/p>\n\n\n\n

1994 \u00ab\u00a0Past-Imperfect\u00a0\u00bb<\/strong> Venise (Critic’s week), <\/p>\n\n\n\n

1995 Retrospective three films at the Film Center Art Institute (Museum Chicago)<\/p>\n\n\n\n

1996 \u00ab\u00a0Vice Vertu and Vice Versa\u00a0\u00bb<\/strong><\/p>\n\n\n\n

1999-2000 Teaching cinema at Harvard, USA <\/p>\n\n\n\n

2004 \u00ab\u00a0Theme Je\u00a0\u00bb<\/strong> or \u00ab\u00a0The camera I\u00a0\u00bb<\/strong><\/p>\n\n\n\n

2015 – \u00ab\u00a0Baiser d\u2019encre<\/strong>\u00ab\u00a0<\/p>\n\n\n\n

2018 – \u00ab\u00a0Jira\u00ef<\/strong>r<\/em>\u00ab\u00a0<\/p>\n\n\n\n

2023 – \u00ab\u00a0Ma vie de merde<\/strong>\u00ab\u00a0<\/p>\n\n\n\n

(Festival of Festivals) Toronto. New York Video Festival Lincoln Center<\/p>\n\n\n\n

In competition in Seoul (Korea) at the Jeonju International Film Festival<\/p>\n\n\n\n

More experimental than ever, her film, \u00ab\u00a0Theme Je\u00a0\u00bb (\u00ab\u00a0The camera I\u00a0\u00bb), is an autofiction essay which flirts with the Webcam to raise issues of cinema. Her next project, \u00ab\u00a0The Departure of a Train at Ciotat Station\u00a0\u00bb, refers to her two great-grandfathers: one was its station-master when the other one was playing the kid in \u00ab\u00a0The Water Watered\u00a0\u00bb by Lumiere.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chronologie En 1977, sortie de l\u2019IDHEC (FEMIS), The wellknown French school of cinema, Fran\u00e7oise Romand r\u00e9alise un court-m\u00e9trage \u00ab\u00a0Rencontres\u2026\u00a0\u00bb puis elle travaille comme assistante de r\u00e9alisation et assistante monteuse jusqu\u2019en 1985. Elle sera form\u00e9e \u00e0 cette \u00e9cole du documentaire qui flirte avec humour et fac\u00e9tie avec la fiction. En 1985, son premier film \u00ab\u00a0Mix-Up ou … Continuer la lecture de « Biographie de Fran\u00e7oise Romand »<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-338","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/pages\/338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/comments?post=338"}],"version-history":[{"count":0,"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/pages\/338\/revisions"}],"wp:attachment":[{"href":"https:\/\/francoiseromand.com\/index.php\/wp-json\/wp\/v2\/media?parent=338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}